CRonaldo
05-26-2013, 07:18 PM
Apple Final Cut Pro X 10.0.8 With Motion v5.0.7 And Compressor v4.0.7 (Mac OSX)
http://i33.fastpic.ru/big/2013/0425/7d/859f7abf96e2d8f6a7818eabbfdc8c7d.jpg
Apple Final Cut Pro X 10.0.8 With Motion v5.0.7 And Compressor v4.0.7 + Mlooks v1.2 (Mac OSX) | 3.73 GB
New features expand camera support and speed up every step of video post-production - from import through editing to delivery. Shoot with Sony-s latest professional digital video cameras - the F5 and F55 - then import XAVC files directly into Final Cut Pro X and start editing immediately. With support for resolutions up to 4K, you can work natively or convert to Apple ProRes in the background for even better performance.
ProRes Log C
Use ARRI ALEXA cameras to record Apple ProRes with Log C video levels, then view with standard contrast and color levels in Final Cut Pro X. This nondestructive display option lets you view footage in the Rec. 709 color gamut - without having to render or apply an effect - while accessing the full dynamic range of Log C for color grading and compositing. When editing is complete, export XML from Final Cut Pro X to send the Log C files for finishing in third-party applications like DaVinci Resolve and Autodesk Smoke.
Multichannel Audio Editing
Edit multichannel audio faster than ever. A simple keystroke reveals separate audio channels when you need them and collapses them when you don-t - right in the timeline. Easily disable individual channels or select ranges for fine control of timing and volume. And access the Inspector to view details of any audio file, rename individual channels, or hide them in the timeline.
Unified Import
Use the new single-window interface to import from all sources, including file-based video cameras, DSLRs, external hard drives, and network locations. Choose the customizable List view to display a variety of clip metadata, or switch to Filmstrip view for a visual representation of all your footage. Even add commonly used locations to the Favorites sidebar for fast access.
Streamlined Share
Deliver your work faster than ever from Final Cut Pro. Choose from export presets optimized for a wide range of uses - including iPhone, iPad, and Apple TV. Or build custom settings in Compressor and easily access them in Final Cut Pro. Export an entire project, a single clip, or a selected range in your project or event. Bundle multiple destinations to deliver different versions of the same project in a single step. And add Chapter Markers right in Final Cut Pro to quickly move between sections within a QuickTime file, DVD, or Blu-ray disc.
Dual Viewers
Compare shots and match action by enabling a second viewer on demand, which displays the media you skim, select, and play in your Event Browser. You can choose to show video scopes for both viewers, making it easy to grade and match footage.
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http://i33.fastpic.ru/big/2013/0425/7d/859f7abf96e2d8f6a7818eabbfdc8c7d.jpg
Apple Final Cut Pro X 10.0.8 With Motion v5.0.7 And Compressor v4.0.7 + Mlooks v1.2 (Mac OSX) | 3.73 GB
New features expand camera support and speed up every step of video post-production - from import through editing to delivery. Shoot with Sony-s latest professional digital video cameras - the F5 and F55 - then import XAVC files directly into Final Cut Pro X and start editing immediately. With support for resolutions up to 4K, you can work natively or convert to Apple ProRes in the background for even better performance.
ProRes Log C
Use ARRI ALEXA cameras to record Apple ProRes with Log C video levels, then view with standard contrast and color levels in Final Cut Pro X. This nondestructive display option lets you view footage in the Rec. 709 color gamut - without having to render or apply an effect - while accessing the full dynamic range of Log C for color grading and compositing. When editing is complete, export XML from Final Cut Pro X to send the Log C files for finishing in third-party applications like DaVinci Resolve and Autodesk Smoke.
Multichannel Audio Editing
Edit multichannel audio faster than ever. A simple keystroke reveals separate audio channels when you need them and collapses them when you don-t - right in the timeline. Easily disable individual channels or select ranges for fine control of timing and volume. And access the Inspector to view details of any audio file, rename individual channels, or hide them in the timeline.
Unified Import
Use the new single-window interface to import from all sources, including file-based video cameras, DSLRs, external hard drives, and network locations. Choose the customizable List view to display a variety of clip metadata, or switch to Filmstrip view for a visual representation of all your footage. Even add commonly used locations to the Favorites sidebar for fast access.
Streamlined Share
Deliver your work faster than ever from Final Cut Pro. Choose from export presets optimized for a wide range of uses - including iPhone, iPad, and Apple TV. Or build custom settings in Compressor and easily access them in Final Cut Pro. Export an entire project, a single clip, or a selected range in your project or event. Bundle multiple destinations to deliver different versions of the same project in a single step. And add Chapter Markers right in Final Cut Pro to quickly move between sections within a QuickTime file, DVD, or Blu-ray disc.
Dual Viewers
Compare shots and match action by enabling a second viewer on demand, which displays the media you skim, select, and play in your Event Browser. You can choose to show video scopes for both viewers, making it easy to grade and match footage.
http://www.netload.in/dateiYQVw0xrddD/f12sh2.part1.rar.htm
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