BoomBoom
07-15-2016, 02:13 AM
http://ultraimg.com/images/2016/07/11/iHMsk1468233907354.jpg
FLAC (log,image+cue), Lossless | Label: Musikproduktion Dabringhaus und Grimm | Classical | 01:10:28 | 258 Mb
Tracklist:
01. Stucke im Volkston, Op. 102: I. Mit Humor
02. Stucke im Volkston, Op. 102: II. Langsam
03. Stucke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen
04. Stucke im Volkston, Op. 102: IV. Nicht zu rasch
05. Stucke im Volkston, Op. 102: V. Stark und markiert
06. Adagio und Allegro, Op. 70: I. Langsam, mit innigem Ausdruck
07. Adagio und Allegro, Op. 70: II. Rasch und feurig
08. Fantasie-Stucke, Op. 73: I. Zart und mit Ausdruck
09. Fantasie-Stucke, Op. 73: II. Lebhaft, leicht
10. Fantasie-Stucke, Op. 73: III. Rasch und mit Feuer
11. Marchenbilder, Op. 113: I. Nicht schnell
12. Marchenbilder, Op. 113: II. Lebhaft
13. Marchenbilder, Op. 113: III. Rasch
14. Marchenbilder, Op. 113: IV. Langsam, mit Melancholischem Ausdruck
15. Suite No. 3 in C Major, BWV 1009: I. Prelude. Presto
16. Suite No. 3 in C Major, BWV 1009: II. Allemande. Allegro
17. Suite No. 3 in C Major, BWV 1009: III. Courante. Allegro
18. Suite No. 3 in C Major, BWV 1009: IV. Sarabande. Largo
19. Suite No. 3 in C Major, BWV 1009: V. Bourree I & II
20. Suite No. 3 in C Major, BWV 1009: VI. Gigue. Allegro
Musicians:
Martin Ostertag - cello
Kalle Randalu - piano
1849 was a banner year for chamber music output for Robert Schumann. He wrote feverishly, often completing entire compositions in a matter of days with no appreciable loss of quality. Among the instruments to benefit from this frenzy was the cello, which still suffered from a dearth of repertoire. The only original work Schumann penned for cello and piano was the Op. 102 Five Pieces in Folk Style. As was common for the day, Schumann also listed the cello as an "alternate" instrument in both the Op. 70 Adagio and Allegro (originally for horn) and the Op. 73 Fantasiestucke (originally for violin). Two years later, the Op. 113 Marchenbilder for viola and piano emerged and although Schumann did not officially sanction the substitution of the cello, several versions have since emerged including the present arrangement by cellist Martin Ostertag. Finally, Schumann also composed accompaniments to Bach's suites for solo cello as a way to "help" listeners better understand the underlying harmonic progressions of the suites. While some purists may consider such meddling anathema, Schumann proceeded out of complete reverence for Bach's works.
DOWNLOAD
(Buy premium account for maximum speed and resumming ability)
http://nitroflare.com/view/4FF225772AFFFE3/q0826.E.V.M.S.C.M.V.2.2011.rar
http://rapidgator.net/file/efb3db4e4aaffc4164db1eb45218f110/q0826.E.V.M.S.C.M.V.2.2011.rar
http://uploaded.net/file/yzwa5ken/q0826.E.V.M.S.C.M.V.2.2011.rar
FLAC (log,image+cue), Lossless | Label: Musikproduktion Dabringhaus und Grimm | Classical | 01:10:28 | 258 Mb
Tracklist:
01. Stucke im Volkston, Op. 102: I. Mit Humor
02. Stucke im Volkston, Op. 102: II. Langsam
03. Stucke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen
04. Stucke im Volkston, Op. 102: IV. Nicht zu rasch
05. Stucke im Volkston, Op. 102: V. Stark und markiert
06. Adagio und Allegro, Op. 70: I. Langsam, mit innigem Ausdruck
07. Adagio und Allegro, Op. 70: II. Rasch und feurig
08. Fantasie-Stucke, Op. 73: I. Zart und mit Ausdruck
09. Fantasie-Stucke, Op. 73: II. Lebhaft, leicht
10. Fantasie-Stucke, Op. 73: III. Rasch und mit Feuer
11. Marchenbilder, Op. 113: I. Nicht schnell
12. Marchenbilder, Op. 113: II. Lebhaft
13. Marchenbilder, Op. 113: III. Rasch
14. Marchenbilder, Op. 113: IV. Langsam, mit Melancholischem Ausdruck
15. Suite No. 3 in C Major, BWV 1009: I. Prelude. Presto
16. Suite No. 3 in C Major, BWV 1009: II. Allemande. Allegro
17. Suite No. 3 in C Major, BWV 1009: III. Courante. Allegro
18. Suite No. 3 in C Major, BWV 1009: IV. Sarabande. Largo
19. Suite No. 3 in C Major, BWV 1009: V. Bourree I & II
20. Suite No. 3 in C Major, BWV 1009: VI. Gigue. Allegro
Musicians:
Martin Ostertag - cello
Kalle Randalu - piano
1849 was a banner year for chamber music output for Robert Schumann. He wrote feverishly, often completing entire compositions in a matter of days with no appreciable loss of quality. Among the instruments to benefit from this frenzy was the cello, which still suffered from a dearth of repertoire. The only original work Schumann penned for cello and piano was the Op. 102 Five Pieces in Folk Style. As was common for the day, Schumann also listed the cello as an "alternate" instrument in both the Op. 70 Adagio and Allegro (originally for horn) and the Op. 73 Fantasiestucke (originally for violin). Two years later, the Op. 113 Marchenbilder for viola and piano emerged and although Schumann did not officially sanction the substitution of the cello, several versions have since emerged including the present arrangement by cellist Martin Ostertag. Finally, Schumann also composed accompaniments to Bach's suites for solo cello as a way to "help" listeners better understand the underlying harmonic progressions of the suites. While some purists may consider such meddling anathema, Schumann proceeded out of complete reverence for Bach's works.
DOWNLOAD
(Buy premium account for maximum speed and resumming ability)
http://nitroflare.com/view/4FF225772AFFFE3/q0826.E.V.M.S.C.M.V.2.2011.rar
http://rapidgator.net/file/efb3db4e4aaffc4164db1eb45218f110/q0826.E.V.M.S.C.M.V.2.2011.rar
http://uploaded.net/file/yzwa5ken/q0826.E.V.M.S.C.M.V.2.2011.rar