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12-19-2017, 11:45 AM
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Originally designed for Hollywood's elite colorists, DaVinci Resolve has been used on more feature films and TV shows than anything else because it lets you create images that are simply impossible with other tools. DaVinci is also the world's fastest growing and most advanced editing software! Now, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production.

It's like getting 3 high end applications in one! All it takes is a single click to switch between editing, color correcting, audio mastering and delivery! Best of all, if you're collaborating on a team, you can all work on the same project at the same time! DaVinci Resolve 14 is a revolution in post production! Download it for free and try it today!

What's New!
Incredible speed, professional Fairlight audio, revolutionary collaboration and more!

DaVinci Resolve 14 has hundreds of new features for editors, colorists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors. You also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels.

Colorists will find amazing new Resolve FX that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip color and more! Plus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colorists, and sound editors to all work on the same project at the same time! All these new features make DaVinci Resolve 14 the world's most advanced post production software!

Professional Editing
DaVinci Resolve includes virtually every imaginable editing and trimming tool available, making it perfect for both creative and online editing! The new high performance playback engine, which is up to 10x faster, makes playback instantaneous and trimming more responsive than ever, even for processor intensive formats such as H.264 and RAW.

Color Correction
DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry's most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, Resolve FX and more.

Fairlight Audio
New professional tools for audio post production! DaVinci Resolve now includes fully featured Fairlight audio in the same software you use for editing and color correction! You get high end mixing for up to 1,000 channels in real time, plus support for massive Fairlight audio consoles. It's a true end to end workflow that supports recording and ADR, sound editing, sound effects, sweetening and mixing. You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2!

Media and Delivery
DaVinci Resolve 14 makes importing, syncing and organizing footage fast! Whether you're going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You'll be able to get to work quickly and output files fast, so you'll never miss a deadline!

Multi User Collaboration
DaVinci Resolve 14 completely redefines post production workflows! Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, and sound editors mix and finish audio, all in the same project at the same time! You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting color and audio work! That means picture editors, colorists, and sound editors can now work in parallel, leaving more time for everyone to be creative!

DaVinci Resolve Studio
The free version of DaVinci Resolve has all of the professional editing, legendary color correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more!

Legendary DaVinci Quality
DaVinci Resolve's Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB color science that processes luminance independent of color. This allows you to adjust the luminance of video without rebalancing the color of your highlights, midtones, or shadows! The massive internal color space is perfect for the latest HDR and wide color gamut workflows, and lets you generate looks that are simply impossible to create on other systems!

Hardware Control Panels
When you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse! All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image!

Fairlight Professional Consoles
Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world! Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.

What's New in DaVinci Resolve 14.1:
• Added support for a new Project Server application to manage a local PostgreSQL server on macOS and Windows
• Added support for presets for User Preferences
• Added ability to simultaneously generate cache files for multiple cache points on a clip
• Added ability to enable/disable caching of transitions in User Mode in Project Settings
• Added ability to enable/disable caching of composites in User Mode in Project Settings
• Added ability to retain the cache when moving clips with speed changes applied
• Added support for excluding individual tracks from sequence cache in User mode
• Added support for applying individual color attributes when dragging nodes from the Display Node Graph window
• Added support for a zoom slider in the Display Node Graph window
• Added support for accessing both the clip and the timeline node graph for a Still in the Display Node Graph window
• Addressed an issue where right clicking on a wiped still and selecting apply grade would not work
• Added an option in the panel settings to switch between classic DaVinci and vectorscope trackball alignment
• Added support for displaying video scopes on the Edit page
• Improved title text rendering quality
• Improved playback and rendering performance on the Radeon Pro WX 9100 GPU
• Added support for RED IPP2 color processing
• Added support for decompression and debayer options for Red Rocket cards
• Added initial Linked Group support for audio tracks
• Added the ability to drag and drop .drp project files into the Project Manager
• Added support for a project setting to switch track metering between source and post-fader
• Added the ability to update the track color of multiple selected tracks on the Fairlight page
• Surround sound audio channels are now included in the downmix to stereo buses and monitors
• Added support for a Project Setting to automatically apply convergence to windows and effects in 3D stereoscopic projects
• Added support for groups in the Color page on collaborative projects
• Added support for generating and rediscovering optimized media in collaborative projects
• Added support for viewing audio codec information in the Metadata widget
• Added support for GoPro CineForm as a caching and optimized media format
• Added support for higher resolution DNxHR formats for MXF-based Fusion Connect workflows
• ResolveFX Warper is now GPU accelerated
• Bus section in the Fairlight page meters is now scrollable
• Added support for decoding enhanced AC-3 audio on macOS and Windows
• Improved performance of viewer in Fairlight page
• Improved behavior and interactivity of timeline and track index in the Fairlight page
• Added support for 2-D scrolling on the Fairlight page
• Added support for source audio clips at any sample rate
• Added support for Dolby Vision trim on compounds clips and Fusion Connect clips
• Added ability to perform audio only insert to a tape deck
• Added ability to capture video and audio or video only from a tape deck
• Addressed an issue where the audio and video would sometimes be out of sync when capturing from a tape deck
• Addressed an issue where an incorrect frame would sometimes be inserted when performing an assemble edit on a tape deck
• Addressed an issue where recording microphone input on some tracks would not persist the recorded clip
• Addressed an issue where the length of a duration marker could not be modified on the Fairlight page
• Addressed an issue where deleting a bus that is being monitored would result in incorrect control room behavior
• Addressed an issue where Audio FX in a project would not be persisted if the the Audio FX was not installed
• Addressed an issue where moving or pasting clips in the Fairlight page would sometimes remove the associated transitions
• Addressed an issue where assigning an offline reference clip to a timeline would result in loss of audio
• Addressed an issue where switching timelines would sometimes result in loss of audio
• Addressed an issue where dynamics would not apply evenly across stereo and 5.1 tracks
• Addressed an issue where unintended audio fades would sometimes be applied
• Addressed an issue where there was sometimes a change in audio level when playing back on the Edit and Fairlight page
• Addressed an issue when duplicating a timeline with layers would result in additional layers
• Addressed an issue where layers inside a compound clip would not play the correct audio
• Addressed an issue where moving an audio clip in subframe increments would not update waveform positions
• Addressed an issue where playback of nested timeline clips would not honor the mute state of the track
• Addressed an issue where the track volume slider in the Inspector would sometimes be disabled
• Addressed an issue when using Alt/Option + click to switch multicam angles
• Addressed an issue where trimming a freeze frame clip would sometimes crash
• Addressed an issue where video only clips could sometimes not be dragged from the source viewer
• Addressed an issue where flags and markers from existing projects would not be loaded correctly
• Addressed an issue where a marker name change would sometimes not get saved
• Addressed an issue where importing FCPXML files with a subframe video edit would sometimes cause a crash
• Addressed an issue where exporting an XML from some timelines would cause a crash
• Addressed an issue where rendering a clip with synced audio in Individual Clips mode would not render the synced audio
• Addressed an issue where "Render at source resolution" would not apply ResolveFX Face Refinement correctly
• Addressed an issue where Fusion Connect clips would be rendered without temporal noise reduction applied
• Addressed an issue where saving a project would fail in certain collaboration scenarios
• Addressed an issue with saving a collaboration project when overwriting a clip in certain scenarios
• Addressed an issue in collaboration where switching clips on the Color page would sometimes not acquire a lock
• Addressed various issues with tracking of Power Windows when working in Cinemascope
• Addressed various issues with tracking of Power Windows when using Center crop with no resizing
• Addressed an issue where stabilization would sometimes not work with Edit and Input sizing applied
• Addressed an issue where the tracking would be applied incorrectly when changing the timeline resolution or the clip pixel aspect ratio
• Addressed an issue the FX tracker would sometimes not work correctly when Input or Edit sizing was applied
• Addressed issues with applying 3D LUTs when using Metal as the GPU processing mode
• Addressed an issue where some OpenFX plugins would cause flashing of grades
• Addressed a crash in certain scenarios when switching to the Key Palette on a matte node
• Addressed issue with playback performance of large projects in the Color page
• Addressed an issue where render at source resolution would not apply stabilization
• Addressed an issue where some memories would show up as blank when reloading project from disk database
• Addressed a crash when opening some stereo projects upgraded from DaVinci Resolve 12.5.6
• Addressed an issue with importing some DaVinci Resolve 12.5 projects
• Addressed an issue where easyDCP renders would cause a crash on macOS 10.13 High Sierra
• Addressed an issue where the easyDCP KDM generation would not honor the validity dates specified
• Addressed an issue where decoding certain long QuickTime clips would repeat a frame
• Addressed an issue where QuickTime ProRes 4444 clips would sometimes lose the alpha channel during playback
• Addressed a crash when trimming and copying AIFF clips using Media Management
• Addressed an issue where decoding HEVC clips at 2048x858 would sometimes result in artifacts
• Addressed an issue where certain MXF clips would show incorrect duration
• Addressed an issue when decoding certain Sony clips in an ACEScc workflow
• Addressed a performance issue when media managing a large number of clips from the same source folder
• Addressed an issue where floating Media Pool windows would not get updated correctly when performing an undo
• Addressed an issue where resizing the Media Pool would sometimes result in a crash
• Addressed an issue where a clip with a split edit would not be stored correctly in the Media Pool
• Addressed some UI issues when running Resolve in full screen mode on macOS
• Addressed a crash when opening the Effects Library when duplicate plugins are installed
• Addressed connectivity issues with the DaVinci Resolve Advanced panel on Linux
• Addressed an issue where large projects would sometimes hang during load
• General performance and stability improvements

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